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| By Dan MacMedan, USA TODAY |
Wednesday, October 27, 2010
I'm featured in USA Today
I'm featured in a great article on 3-DIY in both the print and online editions of USA TODAY's Wed. Oct 27th issue!
Monday, October 25, 2010
The Wild Wild West
I often describe the current landscape of stereographic cinema production to be like the wild west - both a new frontier of boundless possibilities, and a place of conflict, rivalries and lawlessness. Much like North America of the early 1800s, the world of 3-D was first explored and settled by early pioneers. Wheatstone, Brewster, and Holmes made discoveries that launched the 3-D photographic art form, and Lumiere, Friese-Greene, and Land invented new methods to apply stereography to motion pictures. As in the old west, there have been booms and busts - the 3-D successes of the early 1950s and mid 1980s, each followed by a long period of practically no stereo content at all - sort of a 3-D ghost town. And today,we are seeing the mad scramble of the 3-D "gold rush" as every major movie studio, and a lot of minor production companies are staking their claims and seeking to make a fortune in the wake of the success of James Cameron's Avatar.
I recently attended two events that directly addressed this new frontier from completely opposite ends of the spectrum. The first was the 3-D Entertainment Summit, held in Los Angeles, and the second was the World Maker Faire in New York City.
The 3-D Summit was all about the business of 3-D. Presenters gave talks about theatrical box office numbers, acquired versus converted 3-D movies, advertising in stereo, and the future of 3-D in the home market. Keynotes from Dreamworks' Jeffrey Katzenberg and Sony President Chris Cookson stressed that for 3-D to continue to be a premium experience, it must be done right, and support a strong artistic vision. Katzenberg railed against rushed and poorly done 2-D to 3-D conversions, and Cookson noted the importance of education and knowledge in the new technology and language of digital 3-D. (Someone should have pointed this out to guest speaker M. Knight Shyamalan, who repeatedly demonstrated his ignorance of stereography during his session on The Last Airbender)
The thing that struck me about the 3-D Summit was that for all the talk of education and artistic storytelling, the majority of attendees, for the most part, were really only concerned with the bottom line. This was, after all, a business conference, and at over $1,000 a head to attend, an expensive one at that (thankfully I was given my pass by a producer friend who couldn't attend). For the most part people wanted to know what 3-D would cost them, and how much they would profit from it.
A week later, I found myself in New York for the World Maker Faire, put on by the same people who do the Bay Area Maker Faire every year. For the past several years, The LA 3-D Club has been represented at the Bay Area Maker Faire by an ever growing number of members who make the trip up to San Mateo to show their projects at the world's largest Do-It-Yourself science and art festival. This was the first time the event was held in New York, and I was excited to have the opportunity to go to the east coast and participate, particularly when I found out that the Faire was being held at the NY Hall of Science on the grounds of Flushing Meadows - the site of the 1939 World's Fair where the public was first introduced to both polarized 3-D projection and the View Master. I contacted Greg Dinkins, of the New York Stereoscopic Society, and asked him if he would like to join me in the "3-D village". Greg agreed, and enlisted many other talented NYSS members to exhibit their 3-D photos and movies, homemade camera rigs, and other stereoscopic inventions. The thousands of attendees who stopped at our booth seemed genuinely interested in learning about how 3-D works, and specifically about how we each create our art. There was no talk of profit margins or ticket markups - this was 3-D solely for the creative vision.
I always find it very interesting moving back and forth between the worlds of the motion picture industry and the independent artists, and getting their varied perspectives on the state of 3-D. I just hope that in this new frontier, there's room for both the cattle barons and the cowboys.
I recently attended two events that directly addressed this new frontier from completely opposite ends of the spectrum. The first was the 3-D Entertainment Summit, held in Los Angeles, and the second was the World Maker Faire in New York City.
The 3-D Summit was all about the business of 3-D. Presenters gave talks about theatrical box office numbers, acquired versus converted 3-D movies, advertising in stereo, and the future of 3-D in the home market. Keynotes from Dreamworks' Jeffrey Katzenberg and Sony President Chris Cookson stressed that for 3-D to continue to be a premium experience, it must be done right, and support a strong artistic vision. Katzenberg railed against rushed and poorly done 2-D to 3-D conversions, and Cookson noted the importance of education and knowledge in the new technology and language of digital 3-D. (Someone should have pointed this out to guest speaker M. Knight Shyamalan, who repeatedly demonstrated his ignorance of stereography during his session on The Last Airbender)
The thing that struck me about the 3-D Summit was that for all the talk of education and artistic storytelling, the majority of attendees, for the most part, were really only concerned with the bottom line. This was, after all, a business conference, and at over $1,000 a head to attend, an expensive one at that (thankfully I was given my pass by a producer friend who couldn't attend). For the most part people wanted to know what 3-D would cost them, and how much they would profit from it.
A week later, I found myself in New York for the World Maker Faire, put on by the same people who do the Bay Area Maker Faire every year. For the past several years, The LA 3-D Club has been represented at the Bay Area Maker Faire by an ever growing number of members who make the trip up to San Mateo to show their projects at the world's largest Do-It-Yourself science and art festival. This was the first time the event was held in New York, and I was excited to have the opportunity to go to the east coast and participate, particularly when I found out that the Faire was being held at the NY Hall of Science on the grounds of Flushing Meadows - the site of the 1939 World's Fair where the public was first introduced to both polarized 3-D projection and the View Master. I contacted Greg Dinkins, of the New York Stereoscopic Society, and asked him if he would like to join me in the "3-D village". Greg agreed, and enlisted many other talented NYSS members to exhibit their 3-D photos and movies, homemade camera rigs, and other stereoscopic inventions. The thousands of attendees who stopped at our booth seemed genuinely interested in learning about how 3-D works, and specifically about how we each create our art. There was no talk of profit margins or ticket markups - this was 3-D solely for the creative vision.
I always find it very interesting moving back and forth between the worlds of the motion picture industry and the independent artists, and getting their varied perspectives on the state of 3-D. I just hope that in this new frontier, there's room for both the cattle barons and the cowboys.
Monday, October 4, 2010
On September 25 and 26, 2010, I exhibited my 3-DIY cameras and displays at the World Maker Faire in New York. It was a fantastic event, and I had a great time. Special thanks to Greg Dinkins and the New York Stereoscopic Society, for joining me in the "3-D Village" to share their amazing 3-D videos and inventions.
One of the coolest things I saw there was this volumetric display called Lumarca. It's able to represent 3-D shapes by projecting objects onto a matrix made of yarn. Check out the 3-D video:
One of the coolest things I saw there was this volumetric display called Lumarca. It's able to represent 3-D shapes by projecting objects onto a matrix made of yarn. Check out the 3-D video:
Monday, September 20, 2010
My Inauguration
I was recently sworn in as the new President of the LA 3-D Club(SCSC). The following is the text of my comments from August 19th, at the club banquet, on accepting the SCSC Presidency:
I want to thank all of you for entrusting me with the leadership of the LA 3-D Club for the next year. I’m very honored to be in this position. When I walked into my first SCSC meeting in 2002, I found myself standing in the back of a dark room, full of people that I didn’t know, watching a bunch of stereo slides being projected, and listening to the repeated announcing of numbers. 6-6-6-18! I had no idea what was going on. Then Sean Isroelit, the club’s Vice President at the time, came over to me, handed me a pair of polarized glasses, and told me I was welcome to come in and sit down with the rest of the group. And I’ve been here ever since. I’ve been a member of the LA 3-D Club through the presidencies of Philip Steinman, Sean Isroelit, Jeff Amaral, and Barry Rothstein, and have watched the evolution of the club under their leadership, as we have moved from analog to digital projection, from meeting in a church basement to being part of an Arts Center, and from mainly showing 3-D slideshows to producing full-blown film festivals.
We are now one of, if not the most active stereoscopic organization in the world, and we are continuing to grow, both in scope and membership. And the world of 3-D is also expanding by leaps and bounds. Hollywood has embraced 3-D and consumer electronics companies have bet on 3-D, which makes the LA 3-D Club all the more relevant today. At one end of the spectrum we find expensive cameras, high-end rigs, theatrical projection systems and multi-million dollar content created by professional stereographers. At the other end we find new 3DTVs, point-and-shoot stereo cameras, youtube 3-D over the internet, and a general public that doesn‘t understand the difference between anaglyph and polarized glasses, let alone why they need to wear them. I’ve always found it interesting that whenever people would come up to me and ask “why does your camera have two lenses?”, and I would explain that I‘m shooting in 3-D, the next question was always “Why do you do 3-D?“. What excites me today, is that now, when I explain my cameras to people, the question has become “HOW do you do 3-D!“ And I gladly tell them how I make 3-D, and how they can make 3-D.
Now, recently, a prominent stereography professional went on the record proclaiming that there is no place for 3-D “hobbyists”, as he put it, in the new 3-D landscape. I say he’s 100% wrong. Our membership includes people who have made stereo their career and make a living at it, people who enjoy shooting 3-D as an amateur, and people who know nothing about 3-D, but are enthusiastic about learning more. And I think that is why the club is so important today - we bridge the gaps by bringing all kinds of 3-D enthusiasts together so that they can share knowledge and experiences. It’s a great responsibility that I find myself elected into.
For the last couple of months, I’ve jokingly said that my first official act as President would be to abolish the presidency, and declare myself Emperor of All Things 3-D. After all, if Phil McNally can name himself Captain 3-D, and Ray Zone can be crowned the King of 3-D Comic Books, then I can certainly anoint myself 3-D Emperor. I figured that as long as I rule as a benevolent dictator, everyone would be happy. But then I started thinking about the SCSC and it’s members, and it occurred to me that the club only exists because you all want to be a part of it. I realized that the LA 3-D Club is less like an empire, and more like a Jumbo Jet. My job is to be the pilot, steering the plane, the board are the flight crew, making sure things run properly, and providing services for the passengers, you the members, who have bought your tickets and are on board for the trip. I’m going to do my best to make this a smooth flight, and I want to continue to increase the incentives and benefits of being a club member, but I do need your help to do it. I encourage everyone to visit the new club website at LA3DClub.com, join the yahoo email list and the SCSC Facebook group, and participate in the LA 3-D Club community and activities. As the club continues to evolve, I plan to introduce more 3-D events, screenings, workshops and opportunities for the members, and I want to appeal to all of you to step up and take active roles in making these things happen for the club, your club. This is your President speaking, you are all free to move about the cabin.
I want to thank all of you for entrusting me with the leadership of the LA 3-D Club for the next year. I’m very honored to be in this position. When I walked into my first SCSC meeting in 2002, I found myself standing in the back of a dark room, full of people that I didn’t know, watching a bunch of stereo slides being projected, and listening to the repeated announcing of numbers. 6-6-6-18! I had no idea what was going on. Then Sean Isroelit, the club’s Vice President at the time, came over to me, handed me a pair of polarized glasses, and told me I was welcome to come in and sit down with the rest of the group. And I’ve been here ever since. I’ve been a member of the LA 3-D Club through the presidencies of Philip Steinman, Sean Isroelit, Jeff Amaral, and Barry Rothstein, and have watched the evolution of the club under their leadership, as we have moved from analog to digital projection, from meeting in a church basement to being part of an Arts Center, and from mainly showing 3-D slideshows to producing full-blown film festivals.
We are now one of, if not the most active stereoscopic organization in the world, and we are continuing to grow, both in scope and membership. And the world of 3-D is also expanding by leaps and bounds. Hollywood has embraced 3-D and consumer electronics companies have bet on 3-D, which makes the LA 3-D Club all the more relevant today. At one end of the spectrum we find expensive cameras, high-end rigs, theatrical projection systems and multi-million dollar content created by professional stereographers. At the other end we find new 3DTVs, point-and-shoot stereo cameras, youtube 3-D over the internet, and a general public that doesn‘t understand the difference between anaglyph and polarized glasses, let alone why they need to wear them. I’ve always found it interesting that whenever people would come up to me and ask “why does your camera have two lenses?”, and I would explain that I‘m shooting in 3-D, the next question was always “Why do you do 3-D?“. What excites me today, is that now, when I explain my cameras to people, the question has become “HOW do you do 3-D!“ And I gladly tell them how I make 3-D, and how they can make 3-D.
Now, recently, a prominent stereography professional went on the record proclaiming that there is no place for 3-D “hobbyists”, as he put it, in the new 3-D landscape. I say he’s 100% wrong. Our membership includes people who have made stereo their career and make a living at it, people who enjoy shooting 3-D as an amateur, and people who know nothing about 3-D, but are enthusiastic about learning more. And I think that is why the club is so important today - we bridge the gaps by bringing all kinds of 3-D enthusiasts together so that they can share knowledge and experiences. It’s a great responsibility that I find myself elected into.
For the last couple of months, I’ve jokingly said that my first official act as President would be to abolish the presidency, and declare myself Emperor of All Things 3-D. After all, if Phil McNally can name himself Captain 3-D, and Ray Zone can be crowned the King of 3-D Comic Books, then I can certainly anoint myself 3-D Emperor. I figured that as long as I rule as a benevolent dictator, everyone would be happy. But then I started thinking about the SCSC and it’s members, and it occurred to me that the club only exists because you all want to be a part of it. I realized that the LA 3-D Club is less like an empire, and more like a Jumbo Jet. My job is to be the pilot, steering the plane, the board are the flight crew, making sure things run properly, and providing services for the passengers, you the members, who have bought your tickets and are on board for the trip. I’m going to do my best to make this a smooth flight, and I want to continue to increase the incentives and benefits of being a club member, but I do need your help to do it. I encourage everyone to visit the new club website at LA3DClub.com, join the yahoo email list and the SCSC Facebook group, and participate in the LA 3-D Club community and activities. As the club continues to evolve, I plan to introduce more 3-D events, screenings, workshops and opportunities for the members, and I want to appeal to all of you to step up and take active roles in making these things happen for the club, your club. This is your President speaking, you are all free to move about the cabin.
Thursday, June 3, 2010
Youtube 3-D
In the past I've mentioned the Youtube 3-D player, which was quietly implemented in 2009. I recently had the pleasure of meeting the programmer at Youtube who has been working on the 3-D functionality, and he showed me that the player is now embeddable in websites. This is an amazing breakthrough for the 3-DIY community, as we now have the capability to create video enabled 3-D websites. In addition, Youtube supports the "frame-compatible" side-by-side squeezed 1080p format supported in most of the new 3-D televisions coming on the market. This means that Youtube is now capable of providing a distribution platform for independent 3-D content to reach consumers in their homes. I'm very excited!
To this end, I have created a Youtube Group dedicated to providing a forum for the growth and exhibition of Do-It-Yourself 3-D content. I encourage anyone interested in creating their own 3-DIY movies to sign up with Youtube, and join the group which can be found at www.3-DIY.tv
Here is an example of the Youtube 3-D player embedded in a blog page - you can select a viewing method from the menu that pops up when you float your mouse over the 3-D icon.
It's still a beta release, so it will continue to evolve, and it has its quirks - for instance, the 3-D menu cuts off when displayed on a small playback window, and you must click "fullscreen" to see all of the options - but my new friend, "Youtube Pete" is working to make it more user friendly, and I'm sure he'll do a great job.
To this end, I have created a Youtube Group dedicated to providing a forum for the growth and exhibition of Do-It-Yourself 3-D content. I encourage anyone interested in creating their own 3-DIY movies to sign up with Youtube, and join the group which can be found at www.3-DIY.tv
Here is an example of the Youtube 3-D player embedded in a blog page - you can select a viewing method from the menu that pops up when you float your mouse over the 3-D icon.
It's still a beta release, so it will continue to evolve, and it has its quirks - for instance, the 3-D menu cuts off when displayed on a small playback window, and you must click "fullscreen" to see all of the options - but my new friend, "Youtube Pete" is working to make it more user friendly, and I'm sure he'll do a great job.
Saturday, May 22, 2010
3-D Village at Maker Faire
Once again I'm at the Bay Area Maker Faire, and this time, I'm curating an entire room - the "3-D Village"
And check it out, Wired.com did a feature on 3-DIY at Maker Faire.
If you are planning to attend, stop by and check out the exhibits which include:
The LA 3-D Club (SCSC) - 50+ year old organization dedicated to stereographic imagery in all its forms.
DIY 3D with me, Eric Kurland, Vice President of the LA 3-D Club - Homebrew stereoscopic cameras and displays, including live 3-D video, moving phantograms, homemade view master reels, and DIY 3-D photography workshops.
Stefano Corazza's [ I am a Bird ] - A time-of-flight camera tracks the motion of the spectator (real-time single camera motion capture) and that input drives the motion of a 3D Bird viewed with polarized glasses. The audience can in real-time animate the Bird by flapping their arms and hands, they can soar, turn, go at higher altitude and chase other birds in the sky.
Hologlyphics, Walter Funk - Real-time autostereoscopic video art integrated with live music & spatial sound. Musical keyboards, acoustic instruments and human interfaces controlling multiview autostereoscopic animations and multi-channel sound. Infinite perspectives of the imagery are seen as the audience moves, without any sweet spots in the viewing range.
3D Phantogram Imagery by Barry Rothstein, President of the LA 3-D Club.He will be demonstrating how they're produced and selling books and cards of them.
Heads-up display, Kate Compton, Technical Artist at Maxis - Wouldn't it be cool if there was an easy-to-assemble kit that would allow you to make your own fully interactive 3D Heads-up display with only a
smart-phone, a couple of lenses and a bit of plastic? It would be cool, and it is! Come try out this easy-to-make VR helmet, and the new apps available for it.
MAKER FAIRE runs
Saturday - 10am to 8pm - Sunday 10am to 6pm
San Mateo County Event Center, California
1346 Saratoga Dr., San Mateo, CA 94403
Maker Faire is the World's Biggest DIY Festival, Robots, Fire, Antique Computers, 3D Technology, Light Sculptures, Art Cars, Camera Obscura, Musical Instruments, R2-D2 Builder's Club and more
The 3D Village will be located inside the Fiesta Hall of the Event Center.
Be prepared for interactive stereoscopic art, 3D workshops, live autostereoscopic video art, phantogram display & demonstration, heads-up displays and 3D dome projections.
http://www.makerfaire.com
And check it out, Wired.com did a feature on 3-DIY at Maker Faire.
If you are planning to attend, stop by and check out the exhibits which include:
The LA 3-D Club (SCSC) - 50+ year old organization dedicated to stereographic imagery in all its forms.
DIY 3D with me, Eric Kurland, Vice President of the LA 3-D Club - Homebrew stereoscopic cameras and displays, including live 3-D video, moving phantograms, homemade view master reels, and DIY 3-D photography workshops.
Stefano Corazza's [ I am a Bird ] - A time-of-flight camera tracks the motion of the spectator (real-time single camera motion capture) and that input drives the motion of a 3D Bird viewed with polarized glasses. The audience can in real-time animate the Bird by flapping their arms and hands, they can soar, turn, go at higher altitude and chase other birds in the sky.
Hologlyphics, Walter Funk - Real-time autostereoscopic video art integrated with live music & spatial sound. Musical keyboards, acoustic instruments and human interfaces controlling multiview autostereoscopic animations and multi-channel sound. Infinite perspectives of the imagery are seen as the audience moves, without any sweet spots in the viewing range.
3D Phantogram Imagery by Barry Rothstein, President of the LA 3-D Club.He will be demonstrating how they're produced and selling books and cards of them.
Heads-up display, Kate Compton, Technical Artist at Maxis - Wouldn't it be cool if there was an easy-to-assemble kit that would allow you to make your own fully interactive 3D Heads-up display with only a
smart-phone, a couple of lenses and a bit of plastic? It would be cool, and it is! Come try out this easy-to-make VR helmet, and the new apps available for it.
MAKER FAIRE runs
Saturday - 10am to 8pm - Sunday 10am to 6pm
San Mateo County Event Center, California
1346 Saratoga Dr., San Mateo, CA 94403
Maker Faire is the World's Biggest DIY Festival, Robots, Fire, Antique Computers, 3D Technology, Light Sculptures, Art Cars, Camera Obscura, Musical Instruments, R2-D2 Builder's Club and more
The 3D Village will be located inside the Fiesta Hall of the Event Center.
Be prepared for interactive stereoscopic art, 3D workshops, live autostereoscopic video art, phantogram display & demonstration, heads-up displays and 3D dome projections.
http://www.makerfaire.com
Monday, May 3, 2010
Apparently, I'm Buzzworthy!
While attending NAB last month, I was interviewed for Larry Jordan's "Digital Production Buzz", the leading online source for streaming discussions on digital production, post-production and distribution, and the official NAB podcast. You can hear it at the link below:
http://www.digitalproductionbuzz.com/Archives/NAB2010-Day4-1100.mp3
http://www.digitalproductionbuzz.com/Archives/NAB2010-Day4-1100.mp3
Sunday, April 11, 2010
3-D at NAB: The Digital Cinema Summit
I've spent the weekend at the Digital Cinema Summit at the NAB conference in Las Vegas. This year's summit was focused on all things 3-D, from cameras and acquisition, to digital 3-D theater statistics, to home 3-D broadcasting, to 2-D to 3-D conversion. Rob Engle, 3-D Visual Effects Supervisor at Sony Pictures Imageworks, invited me to speak on a panel about 3-D storytelling, and I was honored to share the stage with a distinguished group of 3-D experts - Rob; Bernard Mendiburu, author of the book 3-D Movie Making; 3-D Producer Phil Streather, and Chuck Comisky, whose many credits include Visual Effects Stereographer on Avatar.
The panel went very well, and I've received an overwhelming amount of positive feedback.
Details to follow soon....
The panel went very well, and I've received an overwhelming amount of positive feedback.
Details to follow soon....
Saturday, April 3, 2010
Whatever Happened to Ro-Man?
Just a note to say that the 3-D movie "Whatever Happened to Ro-Man?" has now been posted to YouTube in HD.
This short 3-D video, written and directed by Ray Zone features a revealing interview with Ro-Man, star of the 1950s "Golden Turkey" 3D movie Robot Monster who was located recently living in North Hollywood, California (in a house that looks suspiciously like mine.)
Behind the scenes pictures and info about this stereoscopic production
can also be found at Ray's website. Click the image below to go there.
This short 3-D video, written and directed by Ray Zone features a revealing interview with Ro-Man, star of the 1950s "Golden Turkey" 3D movie Robot Monster who was located recently living in North Hollywood, California (in a house that looks suspiciously like mine.)
Behind the scenes pictures and info about this stereoscopic production
can also be found at Ray's website. Click the image below to go there.
Sunday, March 28, 2010
3-D Movie Night - Ray Zone presents “The 3D Train from Nowhere”
The LA3DClub has teamed up with the Downtown Independent Theater to present screenings of independent 3-D movies in Los Angeles.
Our next scheduled show of independent 3-D will be Tuesday, March 30th, at 8:30pm. We will present an illustrated 3D lecture by Ray Zone along with two nWave Pictures films about the history of 3D titled “Encounter in the Third Dimension” and “Misadventures in 3D.
Zone’s lecture addresses the 3D filming of the historic Lumiere brother’s ‘actuality’ titled “L’Arrivee du Train” and both the 2D (1895) and 3D version (1935) will be screened. As one of cinema’s founding myths, the screening of the Lumiere film in 1895 at the Café Grand in Paris evoked panic in the audience. Zone reveals some hitherto unknown historic facts that shed new light on this founding myth of cinema and he also explains the 3D camera system the Lumiere’s constructed to make this seminal work of cinema.
“Encounter in the Third Dimension” (1998)and “Misadventures in 3D” (2003) feature Stuart Pankin in groundbreaking stereoscopic visuals addressing the history of 3D and how stereoscopic perception works. Elvira-Mistress of the Dark is also featured in “Encounter in the Third Dimension.” Both films have presented in IMAX Theaters worldwide to great acclaim since their original release dates.
The nWave 3D movies feature highly sophisticated applications of computer generated (CG) and live-action stereoscopic filming, composited together in a sinuous visual blend that is intriguing, often humorous and features highly spectacular “ride film” sequences.
Come check out LA's only Indie-Friendly 3-D cinema. We hope to see you there!
LA3D Movie Division 3-D Movie Night - Ray Zone presents “The 3D Train from Nowhere”
Our next scheduled show of independent 3-D will be Tuesday, March 30th, at 8:30pm. We will present an illustrated 3D lecture by Ray Zone along with two nWave Pictures films about the history of 3D titled “Encounter in the Third Dimension” and “Misadventures in 3D.
Zone’s lecture addresses the 3D filming of the historic Lumiere brother’s ‘actuality’ titled “L’Arrivee du Train” and both the 2D (1895) and 3D version (1935) will be screened. As one of cinema’s founding myths, the screening of the Lumiere film in 1895 at the Café Grand in Paris evoked panic in the audience. Zone reveals some hitherto unknown historic facts that shed new light on this founding myth of cinema and he also explains the 3D camera system the Lumiere’s constructed to make this seminal work of cinema.
“Encounter in the Third Dimension” (1998)and “Misadventures in 3D” (2003) feature Stuart Pankin in groundbreaking stereoscopic visuals addressing the history of 3D and how stereoscopic perception works. Elvira-Mistress of the Dark is also featured in “Encounter in the Third Dimension.” Both films have presented in IMAX Theaters worldwide to great acclaim since their original release dates.
The nWave 3D movies feature highly sophisticated applications of computer generated (CG) and live-action stereoscopic filming, composited together in a sinuous visual blend that is intriguing, often humorous and features highly spectacular “ride film” sequences.
Come check out LA's only Indie-Friendly 3-D cinema. We hope to see you there!
LA3D Movie Division 3-D Movie Night - Ray Zone presents “The 3D Train from Nowhere”
Tuesday, March 30th, 2010, 8:30-11:30pm
Downtown Independent Theater
251 S. Main St., Los Angeles, CA 90012
Admission to the event is:
$5 for current LA3DClub members
$10 for non-members (admission is waived with USC Student ID)
Note: Paid parking is available at many parking lots in the adjacent area. The theater is also only several blocks from the MTA Red Line.
http://www.LA3-DClub.com
http://www.DowntownIndependent.com
Wednesday, March 17, 2010
SXSW
For the last week, I have been attending the SXSW Film and Interactive Conference in Austin, Texas. Yesterday, I moderated a panel on 3-DIY, with fellow stereographic filmmakers Noel Paul, Gray Miller, and Ryan Suits. The panel went very well, and included some great information for indie filmmakers looking to get started in 3-D. My presentation included this version of my 3-DIY powerpoint:
I'll have more links, info, audio and video from the panel soon. In the meantime click through to enjoy this 3-D video clip from Saturday's panel on "Viral Video"
I'll have more links, info, audio and video from the panel soon. In the meantime click through to enjoy this 3-D video clip from Saturday's panel on "Viral Video"
Thursday, March 4, 2010
L.A.'s Only Indie 3-D Cinema
The LA3DClub (of which I am Vice President) has entered into a partnership with the Downtown Independent Theater to provide a venue for independent 3-D movies to screen in Los Angeles. Thanks to Perry Hoberman at USC, who arranged for the donation of a theatrical silver screen, we now have a permanently installed screen in the theater. The club also recently acquired two ProjectionDesign F3 large venue projectors, which provide dual-digital polarized projection from the Downtown Indie's projection booth and project a sharp, bright, keystone-free image over 22 feet wide.This has been my pet project for a while. Last July, when I shot my short 3-D project, Elevation, my co-producer, Roger Mayer, mentioned that he was programming the Downtown Film Festival of Los Angeles, and that it was "too bad we couldn't show 3-D at the fest." I assured him that the LA 3-D Club could show 3-D, and we put together a 2-hour program of independent 3-D shorts. Roger booked us into the Downtown Independent Theater, where we brought in a 12-foot silver screen, and a pair of projectors for the night. The show went great, and the theater invited us back to do a Halloween 3-D show. I mentioned to Jim Kirst, the Artistic Director of the Downtown Indie, that it would be great to eventually have a permanent silver screen, and projectors in their booth - but we figured the expense made that impossible. Lo and behold, I got a call a week later from Perry Hoberman, a friend and professor at USC. Apparently USC had a 40' silver screen that was being stored behind a set on a soundstage. The screen had been inaccessible, but the set had just been torn down, and for about a week, he had access to the screen. His question - "If we donate this to the club, could you find a use for it?" YES! We loaded up a truck and moved the screen to the theater. Shortly after that, the club was offerred a pair of large venue projectors, sans lenses, at a fraction of their original cost. We dipped into the club treasury, and made the purchase. On a whim, I checked Ebay for the VERY expensive long-throw lenses we would need to project from the theater's booth, and amazingly there was one available in New York - I "buyed it now." On Ebay, exactly one week later, a matching lens showed up in Kansas City, and I got that, too. Oddly, there hasn't been another matching lens on Ebay since, and apparently there hadn't been one for months before, either. Serendipity. On December 12th, 2009, the white screen came down, the silver screen went up, the lenses were married to their projectors in the booth, and the Downtown Independent Theater became the only place in Los Angeles to see regular screenings of independent 3-D content.
The LA3D Movie Division is offering monthly 3-D screenings to the public through this new venue. In January, we held an "open screen" night, inviting independent stereoscopic filmmakers to bring their work to the theater and have it shown on the big screen. That was followed in February by a screening of the indie horror feature SCAR 3-D, and featured a Q&A with Director Jed Weintrob and Producer Norman Twain.
We also did a "William Castle" style promotion for SCAR, and had a (sexy) nurse standing by in the lobby with smelling salts during the screening to come to the aid of any unfortunates who were unable to handle the graphic subject matter. The next screening will be on March 30th, 2010. The program will be announced soon.Come check out LA's only Indie-Friendly 3-D cinema. We hope to see you there!
Monday, January 11, 2010
CES is all about the 3-D!
Just got back to LA from the 2010 Consumer Electronics Show in Las Vegas, and the buzz this year was definitely 3-D. I've attended the CES for about ten years now, and every year there is usually some company showing a 3-D monitor, or claiming to have invented a new head-mounted display, but this year, there was 3-D at almost every major manufacturer's booth. Sony, JVC, Panasonic, Toshiba, Samsung, Mitsubishi, Sharp, LG, practically every TV maker had their version of 3DTV. Some use active shutterglasses, some use circular polarized, some are embracing multiple technologies, and all are pushing it heavily. Projector manufacturers are releasing 3-D ready projectors for home theater, classroom, and business use. Players from the theatrical end of 3-D were present, as RealD and XpanD are both moving into the consumer glasses market.
In fact only one industry seemed to fall flat off the 3-D bandwagon - the camera companies.
Panasonic was the only major player to show a 3-D video camera, and they are pricing it at $21,000! Fuji, of course, has their 1st gen 3-D still camera, but nobody else is joining that game - Canon's comment is "we're still investigating consumer needs." Even Sony, with their massive 3-D pavilion and live 3-D broadcasts in partnership with 3ality, had no answer regarding a consumer 3-D camera.
3-D Bluray was all over the place, despite my strong belief that optical media is a dead-in-the-water format due to VOD and digital downloads. (A friend of mine calls 3-D the "defibrillator of Bluray") And DVD is dead - not a single 3-D DVD solution to be found anywhere. In fact, almost no support for existing home 3-D solutions. This all fuels my fear of a consumer backlash against 3-D at being told by the big corporations that they need to buy completely new hardware, both HDTVs and players to enjoy the coming 3-D age, especially after being forced to buy new HDTVs or digital tuners only a year ago.
The hope is that 3-D broadcasting will drive the market, and DirecTV has already announced both a Discovery 3-D Channel and ESPN 3-D. ESPN will launch their channel with worldwide 3-D coverage of the FIFA Soccer World Cup Championships in June - the largest single undertaking of live 3-D in history. The problem is that there will be a shortage of content in the immediate future to keep these 3-D channels "live". Hopefully, indie content producers like myself will be able to fill some of that void.
Which leads me to my observation that the Big Boys are missing a very important point. I attended a number of panels, and the "3D@Home Consortium" breakfast, where industry experts spoke of the future of home 3-D, both with rosy glasses (pun intended) and with a complete ignorance of the fact that independent content exists. Apparently, in the corporate vision of the future, only the major studios have the ability to produce viable 3-D movies and television programs, and they are missing the boat here. I stood up at the consortium breakfast, and asked why nobody was addressing what I see as the three 800-pound Gorillas in the room:
- first, that consumers will not be as eager to buy into a new technology if they can't create their own 3-D movies to view on that technology,
- Second, that there needs to be a distribution pathway for independent stereographic 3-D content to enter the game,
- and third, Youtube already delivers 3-D to the home via the beta player that has been active since last summer. Eventually, that player will finish it's beta stage, and any website will become a 3-D delivery platform via a simple embed. Most of the 3-D TVs on the show floor included direct Youtube streaming via WiFi as well. Now, Google owns Youtube, and Google has an OS that will be on millions of cellphones this year, also Youtube enabled. So, follow me here, Google is poised to become the LARGEST SINGLE AGGREGATOR AND DISTRIBUTOR of 3-D content in the world - both studio, indie and consumer produced content - and no one is talking about it.
I asked why Google was not invited to the table.
I left the consortium speechless.
In fact only one industry seemed to fall flat off the 3-D bandwagon - the camera companies.
Panasonic was the only major player to show a 3-D video camera, and they are pricing it at $21,000! Fuji, of course, has their 1st gen 3-D still camera, but nobody else is joining that game - Canon's comment is "we're still investigating consumer needs." Even Sony, with their massive 3-D pavilion and live 3-D broadcasts in partnership with 3ality, had no answer regarding a consumer 3-D camera.3-D Bluray was all over the place, despite my strong belief that optical media is a dead-in-the-water format due to VOD and digital downloads. (A friend of mine calls 3-D the "defibrillator of Bluray") And DVD is dead - not a single 3-D DVD solution to be found anywhere. In fact, almost no support for existing home 3-D solutions. This all fuels my fear of a consumer backlash against 3-D at being told by the big corporations that they need to buy completely new hardware, both HDTVs and players to enjoy the coming 3-D age, especially after being forced to buy new HDTVs or digital tuners only a year ago.
The hope is that 3-D broadcasting will drive the market, and DirecTV has already announced both a Discovery 3-D Channel and ESPN 3-D. ESPN will launch their channel with worldwide 3-D coverage of the FIFA Soccer World Cup Championships in June - the largest single undertaking of live 3-D in history. The problem is that there will be a shortage of content in the immediate future to keep these 3-D channels "live". Hopefully, indie content producers like myself will be able to fill some of that void.
Which leads me to my observation that the Big Boys are missing a very important point. I attended a number of panels, and the "3D@Home Consortium" breakfast, where industry experts spoke of the future of home 3-D, both with rosy glasses (pun intended) and with a complete ignorance of the fact that independent content exists. Apparently, in the corporate vision of the future, only the major studios have the ability to produce viable 3-D movies and television programs, and they are missing the boat here. I stood up at the consortium breakfast, and asked why nobody was addressing what I see as the three 800-pound Gorillas in the room:
- first, that consumers will not be as eager to buy into a new technology if they can't create their own 3-D movies to view on that technology,
- Second, that there needs to be a distribution pathway for independent stereographic 3-D content to enter the game,
- and third, Youtube already delivers 3-D to the home via the beta player that has been active since last summer. Eventually, that player will finish it's beta stage, and any website will become a 3-D delivery platform via a simple embed. Most of the 3-D TVs on the show floor included direct Youtube streaming via WiFi as well. Now, Google owns Youtube, and Google has an OS that will be on millions of cellphones this year, also Youtube enabled. So, follow me here, Google is poised to become the LARGEST SINGLE AGGREGATOR AND DISTRIBUTOR of 3-D content in the world - both studio, indie and consumer produced content - and no one is talking about it.
I asked why Google was not invited to the table.
I left the consortium speechless.
Monday, November 30, 2009
My Latest Article
Check out this article I wrote for MaximumPC magazine. It's in both the current print issue and on the website (although the print edition is edited slightly differently than the web version).
Friday, October 30, 2009
Elevation
Here is my latest 3-D short film, Elevation. This little micro-budget short won a 1st Place Blue Ribbon at the National Stereoscopic Association convention in July, and was invited to screen at the Directors Guild Digital Day in August.
Here on the blog, the video is posted as an anamorphically squeezed crossview. Click through the video below to get to the youtube 3-D player, with a pulldown menu to allow you to select from a number of stereoscopic viewing methods including red-cyan anaglyph and parallel. And bug youtube to add the player to video embeds!
Elevation was produced as a sketchbook assignment through Filmmakers Alliance, a cinema collective based in Los Angeles, and had to follow the following rules: Make a film that is 3 minutes long, has only one line of dialog, uses primary colors, and includes a gun, a religious symbol, and underwear.
It was shot on a twinned pair of Canon TX-1 point-and-shoot consumer cameras, using a firmware hack to provide stereoscopic synchronization tools. The post production pipeline consisted of the freeware program Stereo Movie Maker, which was used for alignment and parallax convergence adjustments, and Adobe Premiere which was used for picture and sound editing.
The entire project was completed in less than 48 hours - the 3 hour shoot took place on the evening of Wednesday, July 1, 2009, and post production was finished by Friday afternoon, July 3.
Here on the blog, the video is posted as an anamorphically squeezed crossview. Click through the video below to get to the youtube 3-D player, with a pulldown menu to allow you to select from a number of stereoscopic viewing methods including red-cyan anaglyph and parallel. And bug youtube to add the player to video embeds!
Elevation was produced as a sketchbook assignment through Filmmakers Alliance, a cinema collective based in Los Angeles, and had to follow the following rules: Make a film that is 3 minutes long, has only one line of dialog, uses primary colors, and includes a gun, a religious symbol, and underwear.
It was shot on a twinned pair of Canon TX-1 point-and-shoot consumer cameras, using a firmware hack to provide stereoscopic synchronization tools. The post production pipeline consisted of the freeware program Stereo Movie Maker, which was used for alignment and parallax convergence adjustments, and Adobe Premiere which was used for picture and sound editing.
The entire project was completed in less than 48 hours - the 3 hour shoot took place on the evening of Wednesday, July 1, 2009, and post production was finished by Friday afternoon, July 3.
Sunday, October 25, 2009
The SCSC fall 3-D Movie/Video Division meeting
The SCSC fall 3-D Movie/Video Division meeting has been scheduled for Wednesday, October 28, 2009 at 7:30 P.M. in the Downtown Independent Theater 251 S. Main St., Los Angeles, CA 90013 - (213) 617-1033
We fell in love with the Downtown Independent Theater when the Movie Division presented more than two hours of 3-D content at the Downtown Film Festival - Los Angeles this past summer. This little gem is ultra modern, has 200 stadium-style seats, accommodates our silver screen and has a nice space just the right distance from the screen for our club projectors. Other amenities include a snack bar which includes the sale of beer and wine, convenient (paid) parking next door, and a lovely rooftop patio area ideal for socializing and sharing the latest 3-D toys. The Downtown Independent is a comfortable walk from the Pershing Square Metro station. Come into town early. There are plenty of inexpensive eateries in the area, including a nearby Yoshinoya.
There will be a $5.00 theater entrance fee. Grab a coke, beer or a glass of wine and come upstairs before the meeting. We'll try to start our meeting promptly at 7:30 in order to accommodate Metro riders.
The meeting will have a Halloween theme. You are encouraged to bring anything in 3-D you'd like to see projected on the big screen, and we will have a program of content with a "scary" theme for our enjoyment. Wear makeup and/or a costume if you can. Prizes will be awarded.
Speaking of prizes, we will be announcing plans for our next international competition ("The Seventh Ever") at the meeting, as well as sharing recent Movie Division activities (participation in the Big Bear Lake Film Festival and projection of Thomas Jane's directorial debut in his first 3-D feature, Dark Country, at the Long Beach Comic Con.
You need not be an SCSC member to attend Movie Division meetings. All are welcome. However, it is helpful if you RSVP your intention to attend so we can plan such things as the number of 3-D glasses we need and how much popcorn and drinks to have ready. (RSVP to movies3d@aol.com.)
Click through video for Youtube 3-D player
We fell in love with the Downtown Independent Theater when the Movie Division presented more than two hours of 3-D content at the Downtown Film Festival - Los Angeles this past summer. This little gem is ultra modern, has 200 stadium-style seats, accommodates our silver screen and has a nice space just the right distance from the screen for our club projectors. Other amenities include a snack bar which includes the sale of beer and wine, convenient (paid) parking next door, and a lovely rooftop patio area ideal for socializing and sharing the latest 3-D toys. The Downtown Independent is a comfortable walk from the Pershing Square Metro station. Come into town early. There are plenty of inexpensive eateries in the area, including a nearby Yoshinoya.
There will be a $5.00 theater entrance fee. Grab a coke, beer or a glass of wine and come upstairs before the meeting. We'll try to start our meeting promptly at 7:30 in order to accommodate Metro riders.
The meeting will have a Halloween theme. You are encouraged to bring anything in 3-D you'd like to see projected on the big screen, and we will have a program of content with a "scary" theme for our enjoyment. Wear makeup and/or a costume if you can. Prizes will be awarded.
Speaking of prizes, we will be announcing plans for our next international competition ("The Seventh Ever") at the meeting, as well as sharing recent Movie Division activities (participation in the Big Bear Lake Film Festival and projection of Thomas Jane's directorial debut in his first 3-D feature, Dark Country, at the Long Beach Comic Con.
You need not be an SCSC member to attend Movie Division meetings. All are welcome. However, it is helpful if you RSVP your intention to attend so we can plan such things as the number of 3-D glasses we need and how much popcorn and drinks to have ready. (RSVP to movies3d@aol.com.)
Saturday, August 15, 2009
I'm putting on an event this Tuesday!
3-DIY: Do It Yourself 3-D Movies
Short Films of the Desktop 3-D Revolution
A program of short digital 3-D movies Shown as part of the Downtown Film Festival of Los Angeles (DFFLA) Curated by John E. Hart, Chairman of the LA 3-D Club Movie Division
(Stereo Club of Southern California)
Emerging digital toolsets are driving a wave of independent production of stereoscopic motion pictures. New 3-D movies in every conceivable genre, from documentaries and avant-garde experiments, to dramatic and humorous narratives, are being made by fiercely individual filmmakers all around the world. In their hands, the 3-D film is evolving a new visual grammar for the motion picture screen.
This program, a stereoscopic showcase of short films curated by John Hart of the Stereo Club of Southern California, presents award-winning entries from the 6 international 3-D movie contests held by the LA 3-D Club Movie Division. Dedicated to independent production and the exhibition of stereoscopic movies, the LA 3-D Club unites both amateur and professional filmmakers by providing a platform for desktop 3-D movies. Learn how to make your own 3-D movies without the backing of a Hollywood studio as a panel of the filmmakers convene after the screening to discuss the new stereoscopic toolsets and their availability.
Tuesday, August 18
7:30 – 11 pm
Downtown Independent Theater
251 S. Main Street
Los Angeles, CA 90012
for tickets: http://downtownla.bside.com/2009/films
Screenings followed by panel discussion
The Program: (listed alphabetically by director’s last name)
Moving Still (2008) Colombia, 3 min. Dir: Santiago Caicedo
Come Coco (2009) Colombia, 7 min. Dir: Santiago Caicedo
Skydiving (2008) USA, 3 min. Dir: Eric Deren
Ztring Theory (2008) Norway, 5 min. Dir: Jo Eldoen
Ghost Car (2008), USA, 5 min. Dir: John E. Hart
Doggone (2009), USA, 11 min. Dir: John E. Hart
Wanderlust (Bjork video) (2008) USA, 7 min. Dir: Sean Helfritch
& Isaiah Saxon
Family Guy: Blue Harvest (2008), USA, 3 min. Dir: Sean Isroelit
Towers of Rodia (2007) USA, 14 min. Dir: Tom Koester
Ennis House (2008) USA, 6 min. Dir: Tom Koester
Elevation (2009), USA, 3 min. Dir: Eric Kurland
A Better Mousetrap (2005) USA, 2 min. Dir: Ron Labbe
Pump Action (2006) USA, 3 min. Dir: Phil McNally
Fireworks Symphony (2008) Japan, 5 min. Dir: Takashi Sekitani
Reminiscence (2007) France, 5 min. Dir: Celine Tricart
Slow Glass (2007), USA, 14 min. Dir: Ray Zone
Panel: Making Your Own 3D Movies
Moderated by Ray Zone
Panelists: Eric Kurland, Sean Isroelit, Tom Koester and John Hart
The moderator and all of the panelists have directed or produced award-winning short 3-D movies that have been shown in a variety of exhibition venues.
Rooftop wine and cheese reception to follow
for tickets: http://downtownla.bside.com/2009/films
Short Films of the Desktop 3-D Revolution
A program of short digital 3-D movies Shown as part of the Downtown Film Festival of Los Angeles (DFFLA) Curated by John E. Hart, Chairman of the LA 3-D Club Movie Division
(Stereo Club of Southern California)
Emerging digital toolsets are driving a wave of independent production of stereoscopic motion pictures. New 3-D movies in every conceivable genre, from documentaries and avant-garde experiments, to dramatic and humorous narratives, are being made by fiercely individual filmmakers all around the world. In their hands, the 3-D film is evolving a new visual grammar for the motion picture screen.
This program, a stereoscopic showcase of short films curated by John Hart of the Stereo Club of Southern California, presents award-winning entries from the 6 international 3-D movie contests held by the LA 3-D Club Movie Division. Dedicated to independent production and the exhibition of stereoscopic movies, the LA 3-D Club unites both amateur and professional filmmakers by providing a platform for desktop 3-D movies. Learn how to make your own 3-D movies without the backing of a Hollywood studio as a panel of the filmmakers convene after the screening to discuss the new stereoscopic toolsets and their availability.
Tuesday, August 18
7:30 – 11 pm
Downtown Independent Theater
251 S. Main Street
Los Angeles, CA 90012
for tickets: http://downtownla.bside.com/2009/films
Screenings followed by panel discussion
The Program: (listed alphabetically by director’s last name)
Moving Still (2008) Colombia, 3 min. Dir: Santiago Caicedo
Come Coco (2009) Colombia, 7 min. Dir: Santiago Caicedo
Skydiving (2008) USA, 3 min. Dir: Eric Deren
Ztring Theory (2008) Norway, 5 min. Dir: Jo Eldoen
Ghost Car (2008), USA, 5 min. Dir: John E. Hart
Doggone (2009), USA, 11 min. Dir: John E. Hart
Wanderlust (Bjork video) (2008) USA, 7 min. Dir: Sean Helfritch
& Isaiah Saxon
Family Guy: Blue Harvest (2008), USA, 3 min. Dir: Sean Isroelit
Towers of Rodia (2007) USA, 14 min. Dir: Tom Koester
Ennis House (2008) USA, 6 min. Dir: Tom Koester
Elevation (2009), USA, 3 min. Dir: Eric Kurland
A Better Mousetrap (2005) USA, 2 min. Dir: Ron Labbe
Pump Action (2006) USA, 3 min. Dir: Phil McNally
Fireworks Symphony (2008) Japan, 5 min. Dir: Takashi Sekitani
Reminiscence (2007) France, 5 min. Dir: Celine Tricart
Slow Glass (2007), USA, 14 min. Dir: Ray Zone
Panel: Making Your Own 3D Movies
Moderated by Ray Zone
Panelists: Eric Kurland, Sean Isroelit, Tom Koester and John Hart
The moderator and all of the panelists have directed or produced award-winning short 3-D movies that have been shown in a variety of exhibition venues.
Rooftop wine and cheese reception to follow
for tickets: http://downtownla.bside.com/2009/films
Saturday, August 1, 2009
DGA Digital Day
Today I'm giving a presentation at the Director's Guild as part of their Digital Day 2009. My talk covers the topic "3-D on a Dime" and I'll be outlining my hardware and software solutions for creating microbudget 3-D content, including a screening of my short Elevation.
My friend Ray Zone calls what I do "3-DIY" or Do-It-Yourself 3-D, and I like that so much that I'll be starting a website soon full of resources for the indie 3-D filmmaker. It'll be located at, appropriately enough,
www.3-DIY.net
Here is my powerpoint presentation from the event:
My friend Ray Zone calls what I do "3-DIY" or Do-It-Yourself 3-D, and I like that so much that I'll be starting a website soon full of resources for the indie 3-D filmmaker. It'll be located at, appropriately enough,
www.3-DIY.net
Here is my powerpoint presentation from the event:
Sunday, July 26, 2009
San Diego Comic-Con 2009
I've made the annual pilgimage to San Diego for Comic-Con. Some amazing 3-D content in Hall H from the studios this year. Avatar looks amazing, and I'm really looking forward to Tron:Legacy, too.
Here's some images from around the con:
Here's some images from around the con:
Thursday, July 9, 2009
NSA 2009
I'm posting from the National Stereoscopic Association 2009 Convention, in Mesa, Arizona, where I am co-chairing the Stereo Theater. In just a few hours, we open the doors to 3 full Days of 3-D content, from vintage stereocard images to the latest in independent 3-D cinema, all digitally projected in HD.
Oh, and did I mention, my short 3-D film "Elevation" will be screening this Saturday, at 11am!
If you're anywhere near Phoenix this weekend, stop in and check it out!
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